Available Paintings
Every artwork is an original oil and cold wax creation sold directly from the Quincy studio. Prices include crating and domestic insured shipping. Inquiries welcomed.
Harbor Light • 2025
Slack Tide, Fore River
Oil and cold wax on birch panel — 40 × 32 in
The single rust line arrived last, on the eleventh session, after four months of grey. It is the only warm mark on the panel and the whole painting waits on it.
Harbor Light • 2025
Wollaston, First Light
Oil and cold wax on birch panel — 36 × 27 in
Painted from memory of a low tide in early April, when the flats hold more light than the sky above them.
Granite & Salt • 2024
Seawall, October
Oil and cold wax on cradled panel — 24 × 24 in
A single square of deep indigo, no bigger than a stamp, holds the entire composition upright.
Interiors • 2025
North Room
Oil on linen over panel — 28 × 22 in
The window in her own studio, painted across nineteen mornings in the same forty minutes of light.
Small Studies • 2026
Horizon Study XII
Oil and cold wax on panel — 12 × 12 in
One band, one line. Finished in a single morning and never touched again.
Small Studies • 2026
Drift Study VI
Oil, cold wax and graphite on panel — 12 × 12 in
Graphite drawn directly into wet wax — a mark that can only be made once.
Harbor Light • 2025
Hantum Point Fog
Oil and cold wax on cradled panel — 36 × 36 in
Layered atmospheric greys capturing the soft, dense mist along the Quincy coastline.
Granite & Salt • 2024
Quarry Cut VIII
Oil, cold wax and slate ground on panel — 40 × 30 in
A geometric composition driven by deep vertical incisions and granite hues.
Interiors • 2025
Studio Window, Dusk
Oil and cold wax on linen over panel — 24 × 20 in
Soft ambient evening tones glowing through quiet architectural planes.
Small Studies • 2026
Salt Line Study III
Oil and cold wax on wood panel — 10 × 10 in
A minimalist study exploring high-texture white wax against iron oxide grounds.
Granite & Salt • 2024
Quarry Face No. 4
Oil, cold wax and marble dust on panel — 30 × 24 in
Marble dust in the lower layers so the surface holds a tooth. The vertical scores are made with a bookbinder's awl.
Interiors • 2023
The Emptied Room
Oil and cold wax on panel — 32 × 26 in
A red underpainting buried beneath six layers of bone white, allowed to surface only where the knife cut through.